Labels

Showing posts with label lectures. Show all posts
Showing posts with label lectures. Show all posts

Monday, 24 May 2010

ORIENTALISM – West looking East


Under the Royal Patronage of Her Highness Sheikha Manal bint Mohammed bin Rashid Al Maktoum, President of Dubai Women Establishment and Wife of His Highness Sheikh Mansour bin Zayed Al Nahyan, Deputy Prime Minister and Minister of Presidential Affairs, UAE a specialist lecture on Orientalist Art was held last week and by distinguished members of the local art community.

The lecture was presented in conjunction with Dubai Ladies Club, a member of Dubai Women Establishment, and Bonhams, one of the world's oldest and largest auctioneers of fine art, as part of a dedicated sale of Orientalist Art which included 140 masterpieces from renowned European and American artists from the 19th and 20th Centuries. This exhibition and sale showcased some of the most important examples in private hands.

Muna Bin Kalli, Executive Director of Dubai Ladies Club commented, “As one of the foremost patrons of art in the UAE, and a keen supporter of raising regional awareness of the fine arts, Her Highness Sheikha Manal’s patronage and support reflects her personal belief that incorporating educational components at important art events contributes towards advancing the understanding of art and fulfilling the vision of transforming the UAE into a global hub for art practices.

The lecture on Orientalist Art, which was delivered by Bonham’s specialist Taline Aynilian, explored the artistic exchange between East and West that is the foundation for the Orientalist genre.  She demonstrated how Orientalist art is a reflection of Western artists’ perceptions of Arab life in the 19th and 20th centuries and these artists conquered many logistical and physical challenges to ensure they could present realistic reflections of the Arabic and Bedouin influence. The lecture also included Edward Said's evaluation and critique of the set of beliefs known as Orientalism, which forms an important background for postcolonial studies. His work highlights the inaccuracies of a wide variety of assumptions as it questions various paradigms of thought which are accepted on individual, academic, and political levels. Other topics discussed ranged from portrayal of women to architectural details such as motifs, textile and ceramic tiles.


Muna Bin Kalli added, “We are pleased to collaborate with Bonham’s which offered members of the local art community with a rare glimpse into the history of Orientalism. Some of the pieces in the collection have rarely, if not ever, been exhibited publically before and will most likely never be seen again after the sale.”

Taline Nicole Aynilian, Senior Specialist  added, “It is a real pleasure to bring works of art back to the region from which they came and from where the artists’ works were originally inspired.  To have them displayed amidst the land and culture that embodies the Middle East places Orientalism into context.”

The exhibition and sale showcased museum calibre works from paintings to sculpture and glassware. Highlights from the exhibition included artists such as Edwin Lord Weeks, Edme Alexis Dehodencq, Frederick Arthur Bridgman, Jean François Portaels, Ludwig Deutsch, Aldolf Schreyer, Arthur von Ferraris, Rudolf Ernst and Edouard Wilhelm Richter.

Wednesday, 10 March 2010

Celebrated artists, curators and collectors headline Global Art Forum 4



Launched in March 2007, the Global Art Forum gathers leading arts professionals to discuss pressing issues that affect art today and that define its future. Under the banner of “Crucial Moments”, this year’s Forum addresses the practical outcomes and theoretical concerns of key themes shaping our contemporary culture.

Supported by the Dubai Culture & Arts Authority (Dubai Culture), the Forum’s four-day programme commences in Doha on 15 March at the Museum of Islamic Art and will be hosted by the Qatar Museum Authority. The Forum offers thought-provoking concepts, such as imagining an ideal future art school, exploring the global trend for temporary museums alongside intimate interviews with international superstar artists, including Indian painter M.F. Husain and Iraqi artist Dia Azzawi. The day also marks the debut of Shumon Basar and Haig Aivazian’s 5000 Friends After the Rolodex, a performative mapping project that traces the progression of the Global Art Forum’s 4-day run.

From 17 to 19 March, Global Art Forum returns to its home at Madinat Beach, Art Dubai for three more days of lively conversation.


MF Husain, Kite, 1952, watercolour, felt tip, and ink on paper

Day 2 on Wednesday 17 March begins with a discussion centred on cultural practitioners who feature historical and archival aspects in their work. This panel, composed of top artists and curators, features 2010 Abraaj Capital Art Prize recipient Hala Elkoussy, whose winning project will be on display at Art Dubai. Wednesday’s programme will also address an impending crisis in global arts writing, with international writers and editors exploring the very real challenges facing media today. Meanwhile, in what promises to be an inspiring discussion, three of the original movers from the vibrant art scene of 1970s Tehran, Tony Shafrazi, Fereydoun Ave and Kamran Diba will reminisce about the days of artistic energy and innovation and the legacy they exert on today's generation of Iranian artists.

Day three, Thursday 18 March, spotlights current trends in art patronage, with a keynote address entitled Building Regional Patronage in a Post-Crisis Moment by noted art patron Omar Ghobash, UAE Ambassador to Russia. Alongside Mr Ghobash’s address, Thursday also sees two panels dedicated to both public and private patronage, highlighting the latest patterns in collectors’ markets from a global array of expertise including Maria Baibakova, Moscow; Dr Farhad Farjam, Dubai; Mohammed Afkhami, Dubai; Alistair Hicks, London and Michael Danoff, New York.

The day also features a rare opportunity to witness the legendary sculptor El Anatsui discuss his astonishing work and career in an intimate conversation with curator Okwui Enwezor. This is followed by an intriguing debate over perceptions of art in Palestine, a 'Palestine Syndrome', questioning how preconceptions and prejudices affect the region's art and how artists within the country relate to each other across geographical and ethnic divides.

The fourth and final day, Friday March 19, starts with another Modernist moment, this time recalling the exciting world of 1970s New York, when artists Vito Acconci, Dennis Oppenheim and Alice Aycock collaborated at 112 Green Street, a seminal space that pioneered performance and installation art practises.

Friday’s programme revisits the notion of patronage, through a fascinating conversation with Don and Mera Rubell, regarded as two of the most prolific and prescient collectors of the past forty years. They are followed by a panel scrutinizing the relationship between patrons and institutions, and how those relationships will shape the growth of museums in the Middle East over the next few years.

The 2010 Global Art Forum will conclude with a final presentation by 5000 Friends After the Rolodex, as Shumon Basar and Haig Aivazian discuss the outcomes of their performative mapping project.

Saeed Al Nabouda, Chief Projects Officer at Dubai Culture, said the Global Art Forum serves as an effective bridge between the arts community and the public, bringing them together for meaningful dialogue.


El Anatsui, In the World But Don't Know the World detail

“Contemporary culture is defined by the arts, and in today’s interlinked world, the arts community globally faces new challenges and opportunities. The Global Art Forum will be a thought-starter in addressing current and emerging cultural realities, providing the artists and the general public with new insights into the local and global cultural scene. The Forum underscores the role of Dubai Culture in educating the community on the arts, promoting inter-cultural dialogue and encouraging creativity.”

Supported by the Dubai Culture & Arts Authority, the Global Art Forum is free of charge and is hosted by the Qatar Museum Authority. The National is the official media partner of the Forum.

Tickets are now on sale for Art Dubai through www.timeouttickets.com. They will also be available at the door during Art Dubai.

Wednesday, 23 September 2009

Understanding Opera

Anybody up for some Opera? If you don't have an inkling what's happening but would like to know more, then this is right up your venue:

Art Sawa is starting its season of Programs by introducing Music Appreciation:
Understanding Opera by David Lesser.

Passionate, dramatic, colorful and psychologically probing, Opera is a fascinating and ever changing art with universal appeal. Open to everyone who would like to begin to develop or widen their knowledge of Opera, this course will explore how Opera works on stage and trace its history during the 18th and 19th centuries. The course will focus on some of the best loved works by Handel, Rameau, Mozart, Donizetti, Verdi, Wagner, Puccini and their contemporaries.

Schedule:
Option Mornings: Tuesdays 10.30-12.00
Option Evenings: Wednesdays 19.30 – 21.00

Dates:
Tuesdays
|6Oct|13Oct|20Oct|27Oct| Break: 3Nov|
|10Nov|17Nov|24Nov|1Dec|8Dec|15Dec|
Wednesdays
|7Oct|14Oct|21Oct|28Oct|Break:4Nov|
|11Nov|18Nov|25Nov|2Dec|9Dec|16Dec|

Audience: Seniors (15+)
Number of sessions: 1 Cycle: 10 lessons (4 lessons + 1 week break + 6 lessons)
Fees: 950 AED (Full Cycle)

Kindly register on workshop@artsawa.com
Or call Art Sawa on 04-3408660

Deadline for registration: 3 October 2009

www.artsawa.com

Thursday, 17 September 2009

Art beats the economic blues


Here's a great twist in treating the general economic gloom and doom. We should take a page from them and turn this setback into an advantage(Orangejar takes the hint and will post new art projects soon):

Dubai Community Theatre and Arts Centre reports more people turning to art as an antidote to economic gloom

In the pic: Maria Peat, Arts Centre Manager DUCTAC

Financial gurus may struggle to find a way out of the downturn but increasing numbers of ordinary people are escaping the economic gloom – by painting pictures, making vases, taking photographs or creating sculptures.

“More than ever we are finding that people from all walks of life are seeking to de-stress and take a break from gloom by taking up the physical arts,” says Maria Peat, Arts Manager at Dubai Community Theatre and Arts Centre (DUCTAC).

“Art can be a great antidote to the economic malaise and we are now offering more classes in art of all kinds than ever before at the centre,” she added. “Participants may not be able solve all the world’s economic problems but they are finding it relaxing fun.

“They are being more cautious about what classes they choose but are looking to develop their artistic side, perhaps because they find they have more time on their hands due to business being slow, working reduced hours or being made redundant.”

The Dubai Community Theatre and Arts Centre, at level two of Mall of the Emirates, is currently offering 14 adult classes in drawing and painting, six in pottery, sculpture and photography and six in the decorative arts. In addition, there are classes for children and teenagers aged from three to 16. A number of the classes for both adults and children are in Arabic.

“Our evening classes are very popular with people being able to leave work and head straight to DUCTAC,” said Peat. “Our most popular classes at the moment are in oil painting and mixed media. Art is clearly proving to be a great stress reliever for our participants and is helping them in developing new skills.”

For more information about the art classes and all other activities at Dubai Community Theatre and Arts Centre, please visit www.ductac.org

About Dubai Community Theatre and Arts Centre
Dubai Community Theatre and Arts Centre aims to contribute to the creative and cultural development of Dubai by presenting and hosting a programme of events and participatory activities for Dubai’s many multi-national communities and visitors alike.

The Theatre & Arts Centre is the first modern, non-profit, cross-community creative centre in the Gulf. This flagship project was the brainchild of local theatre-lovers, arts enthusiasts, artists and business people who recognised the need for an entertainment and educational centre for the community and future generations of Dubai. The centre was officially opened on 1 November 2006 by HRH Princess Haya Bint Al Hussein, wife of HH Sheikh Mohammed bin Rashid Al Maktoum, UAE Vice-President, Prime Minister and Ruler of Dubai.

Dubai Community Theatre and Arts Centre does not receive any funding, relying on the generous support of sponsors and patrons and on income generated from the hire of facilities. The centre is currently fundraising to support its artistic programme, educational and outreach work.

Tuesday, 18 August 2009

Subject: HOT SPOTS: What comes after oil?

An FB posting from TheJamJar:

Join us for an evening of dialogue and brainstorming around arts and sustainability during the premiere opening of HOT SPOTS: What Comes After Oil? A student poster exchange featuring works by students of Zayed University, American University in Dubai, and the Art Institute of Pittsburgh.

HOT SPOTS is an interdisciplinary project designed to initiate a multi-national dialogue and exploration of the past, present and future of oil. Its many iterations include public art and installations in abandoned gas stations, symposia, and educational programs. For more information go to http://www.facebook.com/l/;www.hot-spots.net

The exhibition will run from 1 September - 23 September 2009